'With Tanu Weds Manu, I discovered myself.'
'Apart from being total eye-candies, Saif and Shahid are very good actors. Saif is that classy man, who would open the door for you and pull chairs for you. Shahid would come to the sets with headphones on. He had a boyish charm.' Kangana Ranaut gets in Rangoon mode.
Favourite movie homes, comparing Amitabh-Shashi's beds in Kabhi Kabhie and discovering the truth about Salman Khan's 1990s chartbuster... All in Sukanya Verma's Super Filmi Week.
Tanu Weds Manu Returns is not merely superior to its predecessor but the flamboyance and fun it provides is an implication we're not quite done with this mad duo and their quirky universe yet.
Besides the five Indian films that are playing at the Toronto International Film Festival this year -- a rather large collection at an international film festival, says Aseem Chhabra -- there are more films with an Indian connect.
A worse official remake of an already bad original, Bang Bang is more noise and less sound, rants Paloma Sharma.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
Actor R Madhavan, who turns 45 today, talks about the success of his latest film.
Vijender Singh gives up amateur boxing to turn full-time professional, perhaps the words ring truer than ever.
'People thought I am doing this for promotions, but I wouldn't do that.' 'I have better things to do and better ideas to promote myself.'
Sukanya Verma talks about her yet another fun filmi week!
'During casting calls, people want you to a copy-paste version of who they think is good enough to be in Bollywood, especially if you are a girl. I didn't fit into that at all.'
'Buddy knows more about Raju's films because he sits in the editing room.' 'He has seen Sanju a number of times already!'
Shoojit Sircar takes Rediff.com's Ronjita Kulkarni behind the sets of October, and right inside his beautiful mind.
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
